• Home
  • About

The Clark

Feeds:
Posts
Comments
« Your Favorite Homer: Julie Schwartz
Your Favorite Homer: Lydia Ross »

Critic’s Corner: Undertow and Shepherdess of Houghton Farm

August 8, 2013 by The Clark

By John Boudreau, Communications Intern

Though Winslow Homer is today regarded as one of America’s preeminent artists, he didn’t always meet with such universal critical approval during his career. This week, we take a look at some positive reviews and comments. Do you agree with the reviewers? Disagree? Leave your thoughts in the comments section below. Next week, we’ll highlight some not-so-positive reviews. Stay tuned!

Winslow Homer, Undertow, 1886. Oil on canvas, 29 13/16 x 47 5/8 in. (75.7 x 121 cm). The Clark, 1955.4

Winslow Homer, Undertow, 1886. Oil on canvas, 75.7 x 121 cm. The Clark, 1955.4

Undertow, 1886

“Though not remarkable for powerful drawing nor for any especially beautiful quality of color, this picture has a force about it, an air of truth, a fine sculpturesque quality of modeling that puts it far beyond the ordinary well-done sort of work that we are bound to praise for its honesty, but which does not excite our enthusiasm. In this picture there is a breath of great art…[Homer’s] ‘Undertow,’ by its virility, its truth, its sincerity of intention, outranks every picture in the Academy exhibition.”—“Fine Arts. The Academy Exhibition—I,” The Nation 44 (14 April 1887): 327

Winslow Homer, Shepherdess of Houghton Farm, 1878. Watercolor and graphite, with additions in ink and gouache, on cream wove paper, 11 x 19 in. (27.9 x 48.3 cm). The Clark, 1955.1483

Winslow Homer, Shepherdess of Houghton Farm, 1878. Watercolor and graphite, with additions in ink and gouache, on cream wove paper, 27.9 x 48.3 cm. The Clark, 1955.1483

Shepherdess of Houghton Farm, 1878

“Mr. Homer has started and has well under way a watercolor drawing taken from the studies, which is admirably composed. In shadow on the crest of a ridge in gently rolling country lies stretched on the grass, a young girl, surrounded by her sheep. The adjoining rise, on which are a few trees, is in full sunlight, up against which the foreground figures are sharply defined”—“Fine Arts. Studio Notes,” New York Herald, 11 November 1878

“McDonald called—Said 3 Winslow Homer watercolors would be there for me to see….The Winslow Homers came—A ‘Log Jam’ excellent but $3000—A Beach Scene not finished—A pastoral scene with ‘Sheep, Pasture & a Girl 1878’–$1000—I never saw one with sheep before—It was very poetic!!!!!!! [sic]”—Sterling Clark Diary, 29 September 1942 (74)

Reviews are excerpted from Winslow Homer: The Clark Collection, ed. Marc Simpson (Williamstown, MA: Sterling and Francine Clark Art Institute, 2013), pages 86 and 74.

  • Share
  • Facebook
  • Reddit
  • Twitter
  • Email
  • Print

Like this:

Like Loading...

Related

Posted in Winslow Homer: Making Art Making History | Tagged the Clark, Winslow Homer |

  • Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 2,890 other followers
  • Archives

  • Links

    Clark Website
    Clark Facebook
    Clark Flickr Photos
    Clark Flickriver Photostream
    Clark YouTube Videos

  • Twitter Updates

    • Which is your favorite Italian cityscape: Rome, Venice, or Florence? https://t.co/LKdfm61Ttr 8 hours ago
    • Did you miss the opening lecture for 'Tauba Auerbach and Yuji Agematsu: Meander' with curator Robert Wiesenberger?… twitter.com/i/web/status/1… 1 day ago
    • It's #SleepUnderTheStarsDay so get outside and look up! Here Posada depicts the highly anticipated Halley's Comet,… twitter.com/i/web/status/1… 2 days ago

Blog at WordPress.com.

WPThemes.


  • Follow Following
    • The Clark
    • Join 2,890 other followers
    • Already have a WordPress.com account? Log in now.
    • The Clark
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Copy shortlink
    • Report this content
    • View post in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...
 

    %d bloggers like this: