A portrait’s special magic derives from the fact that it brings us eye to eye with a beautiful, mysterious, or fascinating face from long ago. The inscription in the portrait below reads “this, sweet Victoria, is the living likeness of your lover . . . which I pray you to keep so that nothing can harm it.” The playful inscription and enigmatic symbols, such as the palm frond with two berries, suggest layers of personal meaning for the sitter, whose identity has been lost over time.
So our question is this:
What is the first sentence in the story of this gentleman and his mysterious Victoria?
Post your creative/witty/tragic/funny sentence in the comments section by Wednesday at noon.
Eye to Eye curator Kathleen Morris will choose the winner, who will receive a special Clark prize.
Image credit: Francesco Maria Rondani (Italian, 1490–1550), Portrait of a Young Man Holding a Palm, c. 1520–25. Oil on panel, 23 1/8 x 18 in. (58.8 x 45.7 cm). Private collection. Photo by Glenn Castellano.

[...] The Clark « CLARK CONTEST: First Lines [...]
Jean Gizzi Holland: The paths we follow, the fruits they bear, have lead me my love, to you.
Victoria swept into the bar looking for her blind date … “He said he would be carrying a frond with two berries,” she thought to herself as she scanned the room … ” Is it that tall Swede in the corner? No! Is it that fantastic looking man in the blue cape? No! Where could he be? Oh no … please tell me it’s not the fool over there wearing white long AFTER Labor Day …. arrgh … that’s him … that’s the last time I let Francesca set me up,” she said as she turned and ran out the door.
Hi snowgirl,
Congratulations on winning the Clark’s “First Lines” contest! Please email lehrlich@clarkart.edu for details about your prize.
Thanks, and congratulations!
The Clark
If you seek nothing in life other than my love than it is true that this, sweet Victoria, is the living likeness of your lover . . . which I pray you to keep so that nothing can harm it.”
OK, I wanted to get Giorgione, but he’s dead. Deal with it. Anyhoo…
“Though we met but once in the tender darkness behind the potted palms at your uncle’s New Year’s celebration – wearing masquerade attire and our hearts on our sleeves – I understood instantly we were destined to be one and I ache to know your true likeness in paint; if only to keep my tender soul sated until the day our glistening eyes may actually lay upon the warm flesh of the other….”
Dang, Victoria, you’re home early. Okay then so you caught me. ‘Tis I who has been scribbling profanities on the living room wall. So sue me.
Alas, dear Victoria, as I travel to the higher reaches of the Dolomites this wintry day, I leave you with this palm. Remember our weeks at the oasis in Africa where I plucked this palm frond for you.
Doth careth not to see where yonder other end of this frond resides…
Bob’s lisp unfortunately carried through in his writing:
“My darling Victoria, absinthe makes the heart grow fronder. I myth you.”
It was a lovely warm spring day in Florence, and as Giovanni sat in a chair near his window, perspiring, he mused to himself, “I love Victoria very much, but I shouldn’t have listened to her when she insisted that I dress in my fur-trimmed coat for my pilgrimage to Jerusalem, because it gets chilly at night.”
Remember this frond,
Gazing from his window on a gray winter’s day, Giancarlo wrote in earnest, “As I hold this frond, so I hold your heart, my beloved Victoria, and my own heart beats with anticipation for our next meeting.”
Victoria, Victoria, Dear Victoria…it seems I might have run out of black ink. I’m at a loss!
Yours, lovingly,
A~~~n__……..
Victoria darling, I have the ability to write you in or out of the will with the twirl of the feather.
“Victoria, I have managed to pluck the tail feathers from the bird emerging from the berry bush trying to attack you and the creature trying to attack me is still around my shoulders, so please say you’ll join me on a never-ending, passion-filled quest for fashion,” said Francesco.
“Ah!” said Giovanni, as he admired himself in the mirror, “A handsome man looks good in anything!”
As he glared at his likeness in the mirror, Giovanni sighed and thought to himself, “It’s a good thing Victoria can’t see very well, because if she ever took a good look at me in this outfit that I paid 3,000 lira to have custom made, with an extra pair of pants, that doesn’t even fit, and this stupid hat, she would never marry me!”
Vanity is only a sin when it supports untruths…In my case, “Who’s your Daddy?”
Look no more…I couldn’t resist it…I stole your hat !
Had Francesco known he was the herald of Miles Standish and of Cyrano, the irony of the inscription in Lorenzo’s portrait that would clinch his limpid-eyed friend’s claim on Victoria’s heart might have been easier to bear; but then again, maybe not.
Victoria, in sickness or health, for richer or poorer — we can always share a feather and a snood.
“She told me,” Francesco said to his tailor, “that I was too much of a brute, that she couldn’t possibly love a man with dirty fingernails and a loincloth; I need you to make me something more…how can I say this…more tender-looking, more…ah…girly.”
It was obvious from the start that Francesco wanted to be more than just Victoria’s frond; he wanted berry much to be her lover and confidant.